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The terrifying logistical aspect of making a documentary is often not covered by cinema students. We have asked Azerbaijani filmmaker Arzu Aliyeva, a few questions to find out more about. https://commons.wikimedia.org/wiki/File:Arzu_Aliyeva.jpg Aliyeva, an experienced documentary producer and director has encountered numerous logistical challenges during her work. Aliyeva has sat in the director's seat in films like Son Iclas" and "Objective: Baku. Hitler's War on OilThis article will examine and discuss the "behind-the scenes" aspects of documentary filmmaking.The steps of document productionFilmmaking is unlike other analytical fields such as accounting, doesn't have an "fixed" method. Arzu Aliyeva says that every phase of a documentarian’s production are governed by their ideas. She says that no production can be identical to the previous one. It's just like snowflakes.Every production starts by completing "pre-production." It simply signifies that before a camera begins to roll the director must be able to form an opinion of how the film is going to look.It's time to begin planning your film. Planning is, obviously tiny word with an important meaning, Says Aliyeva. It involves preparing your budget, creating list of shots, outline for interviews as well as determining the budget, and building your schedule. Before turning on your camera, everything should be taken care of .Arzu Aliyeva When you've reached the stage of production , it's time to put all of your preparation into action. Aliyeva reminds you that in movie productions, "Nothing ever goes according to schedule." https://music.apple.com/us/artist/arzu-aliyeva/956007234 Although you may prepare more than a lawyer in the case of a class action, things can change rapidly in practice. Aliyeva says it's important to work with your film rather than against it.Once the production has been completed, it's time to begin the post-production phase. When you've completed shooting all of the material and have decided what's important to save. Aliyeva states that most of it will end up in the editing room's floor.Did you finish your movie? Great! Now it's time to make it accessible to the public. https://pipiwiki.com/wiki/Arzu_Aliyeva Arzu Aliyeva says that distribution isn't something that filmmakers are taught. Other than epics with huge budgets, documentaries don't get the same attention like feature films. It can be promoted on the web, or you can try your luck at the large companies.Arzu Aliyeva's most Essential Equipment in a documentaryAliyeva jokes that all things begin by using a camera once she is asked. Documentaries require two fundamental elements, regardless of their size or budget. The film has to be seen and heard. You need to have the best camera possible as well as audio aids that allow viewers to listen to what you presented to them.Once you've made your decision after that, you'll be able to find an array of equipment to help you convey your message. That, of course, depends on what kind of documentary you're making. It's best if you had good lighting to make the documentary solely on interviews and archive footage. If you're making a documentary with a lot of outdoor shots, you should invest in cameras and audio stability equipment.Aliyeva states that everything is personal and can be swapped according to the nature of project. Pre-production is not complete without thinking about the equipment.How Long Does It Take to make a documentary?Arzu Aliyeva says that there isn't a set duration for a project. Some projects may last for several months while other projects can last years. Aliyeva says it's all about the topic and your love for it. Since documentaries are often concerned with social issues that are important and issues, the film is able to follow the events as they unfold in the real world. The filmmaker might enter an undertaking thinking that it will take him several months, but reality can quickly turn into a couple of years.Another aspect that could reduce or increase the length of your film is your budget. Unexpected changes can happen in your budget when you are in the pre-production or production stages. Aliyeva breaks it down into two basic scenarios.Most likely,you probably ate more than you could chew , and invested too much in the early stages of making. This leaves you with very little or no funds for the rest of your movie. Aliyeva mentioned that this could be a lesson in how to keep your film running on a budget with minimal funds.The least likely: This is intended for filmmakers fortunate enough to be able to create it Aliyeva says. This is where producers and large corporations hear about your work and decide to finance it in the future. This could be a massive boost to your efforts and bring you opportunities that you may not have dreamed of.What is the cost to make Aliyeva's documentary?The cost of your film as well as the other elements in this post, is largely project dependent. Arzu Aliyeva is adamant to anyone who wants her to be very cautious when planning her budget. It is important to know exactly what you want to accomplish at each movie stage. The length of your film's production and its size will determine the amount it will cost.If you're making a film with a focus on testimonials and stories you don't have much requirement for a huge budget. The cost of a movie is determined by the size of the film. Locations, production costs and the overall investment in film's special features all play an important part in determining the price of films.Aliyeva believes that your vision is usually defined by price. Arzu Aliyeva It is important to ensure that your vision outweighs your expenditures. Arzu Aliyeva